Inside the Painting: “Vibing” by Kevin Schott
For the October 2025 edition of our Inside the Painting series, we explore the magnetic quality in “Vibing,” a 50×40 cm oil painting completed in 2024 by German artist Kevin Schott, where intimacy and motion coexist on a small canvas. This work was featured in the Affordable Art Fair Berlin 2025, where it was priced at €950 - a reminder that collecting original art doesn’t have to break the bank. In this edition of Inside the Painting, we explore Schott’s background, his distinctive style and why this piece resonates with collectors and artists alike.
About Kevin Schott
Born in 1991 in Osnabrück and now living in Bochum, Germany, Kevin Schott is a contemporary oil painter, whose practice centers on series that explore everyday scenes and human emotions. His own biography describes him as an artist who likes to work in series, capturing “snapshots of life” that range from feelings of freedom to moments of sadness or mystery. These scenes might be a touch between friends, an embrace or a quiet moment on the beach, yet they are never banal; rather, they convey deep intimacy and ambivalence. Schott’s artistic roots lie in graffiti, and his rapid painting style and urban aesthetic continue to inform his oil paintings. As he explains, he is driven to make emotional significance tangible for other people and to process daily influences into paintings.
Schott’s technique is characterised by quick, expressive brushwork and an interest in negative space. In his current series Enjoy the White, he integrates empty areas and graphic elements to focus on the most relevant content and give viewers room for interpretation. This approach echoes the influence of the old Impressionists, whose melancholy and rapid painting style have provided an anchor in his creative journey. By allowing mistakes and embracing a flowing process, Schott prioritises authenticity over perfection. The result is a body of work that invites viewers to fill in the blanks, encouraging personal narratives and emotional responses.
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Inside “Vibing”
The painting “Vibing” measures 50 × 40 cm and is executed in oil on canvas. Created in 2024, it forms part of the series that Schott exhibited at the Affordable Art Fair Berlin 2025. The fair prides itself on offering artworks priced between €100 and €10,000, with pieces under €500 and €1,000 specially marked for visitors. Positioned within this context, “Vibing” exemplifies the accessibility of emerging art: its €950 price tag makes it attainable for collectors while still recognising the labour and originality of the artist’s craft.
While there is no single definitive interpretation of “Vibing,” the title hints at a moment of connection or rhythm - a scene caught in motion. Schott’s paintings often depict small scenes from private everyday life, such as an embrace or a gesture of comfort. In “Vibing,” viewers might imagine two figures moving together or a solitary individual lost in music; the specifics are less important than the mood. Schott’s rapid brushstrokes create a sense of energy and immediacy, while areas of negative space draw attention to key forms, allowing the surrounding canvas to breathe. The composition likely employs a limited palette with soft, muted tones, a hallmark of his series that balances warmth with melancholy. Hints of graffiti-inspired lines may appear, reflecting his urban background and giving the work a contemporary edge.
Why this painting matters
Schott’s work captures a wider movement in European painting that values intimacy, authenticity and accessibility. By turning mundane moments into deeply felt images, he aligns with a growing interest in the everyday as a subject worthy of artistic exploration. His emphasis on negative space and quick brushwork pushes against meticulous realism, inviting viewers to engage emotionally rather than analytically. The Affordable Art Fair’s pricing structure reinforces the democratisation of art collecting, proving that high-quality original work can be within reach. Schott’s painting, priced comfortably below the £15k threshold, exemplifies how emerging artists can offer both conceptual depth and financial accessibility.
For fellow painters, Schott’s practice demonstrates the value of working in series and embracing personal narratives. His willingness to reveal vulnerability - whether exploring masculinity and patriarchy in his current series or drawing from graffiti roots - provides a roadmap for artists seeking to merge technique with storytelling.
Collectors, meanwhile, will find that purchasing a piece like “Vibing” is not only an investment in an emerging artist but also an opportunity to own a work that speaks to universal experiences.
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